- Adventure
- Animals
- Beauty
- Bereavement
- Birds
- Carpe Diem
- Children
- Dance
- Death
- Descriptions
- Faith & Religion
- Family & Home
- Flowers
- Food & Drink
- Friendship
- Garden
- Heroes
- History
- Holidays
- Humor
- Images
- Imagination
- Inspiration
- Life
- Love
- Machines
- Marriage
- Memorials
- Memory
- Months
- Music
- Mystery
- Nature
- Parodies
- Parting
- Patriotism
- People
- Places
- Poetry
- Protest
- Rhyme & Rhythm
- Satire
- School
- Sea & Sailing
- Seasons
- Song
- Sport
- Stages of Life
- Story Telling
- Time
- Time of Day
- Travel
- War
- Weather
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So how to describe descriptions? Simply said, most poetry is descriptive in nature. Poets often elaborate on one or more essential qualities of something that, in their eyes, makes it unique, or dear to them, or a great metaphor for something else.
Sometimes the poet is trying to describe something more ephemeral - not something concrete or easy to grasp: an impression, the feel of a place, a sense of wonder - or a sense of forebodeing. The poem is generally designed to accentuate that impression, through its sounds (consonance and assonance) its rhythm, an its rhyme scheme.
There are quite a few examples here - I was surprised how many Jon collected - so if you want a quick, representative sampling, try these: To a Locomotive in Winter by Whitman, Wild Peaches by Wylie, and Pan in Wall Street by Stedman. Imagine readng the first one aloud in the voice of King Lear (that's how I imagine it). The second one describes an escapist proposal, and the third one is one of those things that have no grounding in reality - but are very entertaining nonetheless.
- Meadowsweet
by William Allingham
- Sonnet on a Wet Summer
by John Codrington Bampfylde
- The rain was ending, and light
by Laurence Binyon
- The Evening Darkens Over
by Robert Bridges
A storm over the ocean at sunset.
- The Fish
by Rupert Brooke
- After a Tempest
by William Cullen Bryant
- The Haunted House
by Madison Cawein
- Rain Music
by Joseph Seamans Cotter, Jr.
- In August
by Babette Deutsch
- Morning at the Window
by T. S. Eliot
- Irradiations
by John Fletcher
- The Stars are Glittering
by Charles Heavysege
- The Snowing of the Pines
by Mary Thacher Higginson
- My Strawberry
by Helen Hunt Jackson
- Keen, Fitful Gusts
by John Keats
- The Taj
by H.G. Keene
- Among the Orchards
by Archibald Lampman
- A Rainy Day in April
by Francis Ledwidge
- A Japanese Wood-Carving
by Amy Lowell
- Cargoes
by John Masefield
- The Night Fire
by Claude McKay
- The Berg
by Herman Melville
An indifferent iceberg.
- The Coral Grove
by James Gates Percival
- Nightfall
by Alexander Lawrence Posey
- Moonlight
by Victoria Sackville-West
- The Bayadere
by Francis S. Saltus
- The Sea-Breeze at Matanzas
by Epes Sargent
- Base Details
by Siegfried Sassoon
- The Spell of the Yukon
by Robert W. Service
A desolate place made beautiful
- Pan In Wall Street
by Edmund Clarence Stedman
- Emmy
by Arthur Symons
- Dew
by Sara Teasdale
- The Path by Edward Thomas
- To a Snowflake by Francis Thompson
- Mist by Henry David Thoreau
- April by Frederick Goddard Tuckerman
- The Half-Rainbow by Charles Turner
- The Naturalist's Summer-Evening Walk by Gilbert White
- To a Locomotive in Winter by Walt Whitman
- Sights and Sounds of the Night by Carlos Wilcox
- Impression du Matin by Oscar (Fingal O'Flahertie Wills) Wilde
- Wild Peaches by Elinor Wylie
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